Norman Finkelstein
Despite my doubts about the project--Eric and I have had on an on-again, off-again debate about the uses of modern poetry in liturgy--I would say that given the hybrid nature of this strange beast, Paul Celan's work would be a must. One thinks immediately of his "Psalm" ("Praised be your name / no one"), from which comes the title of his volume Die Niemandrose (1963). But perhaps just as powerful and appropriate to the occasion is this untitled poem, also from that volume:
Your
Being beyond in the night.
With words I fetched you back, there you are,
all is true and a waiting
for truth.
In front of our window
the bean-plant climbs: think
who is growing beside us and
watches it.
God, so we read, is
a part and a second, a scattered one:
in the death
of all those mown down
he grows himself whole.
There
our looking leads us,
with this
half
we keep up relations.
This is the Michael Hamburger translation; the one by John Felstiner also has its virtues. The first stanza in particular has always struck me as a perfect expression of the modern Jewish religious sensibility.
Showing posts with label Celan. Show all posts
Showing posts with label Celan. Show all posts
Tuesday, May 29, 2007
Wednesday, January 17, 2007
Art Based on Celan
The Poetry Foundation has posted an on-line exhibit of art by Anselm Keifer, based on poems by Paul Celan. There doesn't seem to be a separate page for it; just go here and look for the all-too-chatty headline "Take That, Adorno."
More on this, and other things, anon!
More on this, and other things, anon!
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