The sunset opens against the horizon
like a book in which are inscribed
the deeds of a thousand generations
—and yet the pages are blank.
Nothing but sentiment
among the hosts of heaven,
while here on earth
the black smoke rises
as the villages are consumed.
To be scattered among the nations
and seek through codes of piety
to raise the sparks of creation,
or to follow some leader
into the maw of the abyss:
the choices are dashed on the rocks
and the rocks are worn into dust.
There is nothing to be learned from patience
except for the most minute of wonders:
toadstools around the door
and moss growing softly in the rafters,
a halo of clouds around the moon,
stars when the moon is new.
And then to turn and worship the invisible,
creation wrenched once more from a book,
an alphabet of living forms.
Why are we held back, oh Lord?
the cry rising from the corners of the world,
anxious to escape the workshops and kitchens,
chipped plates, mismatched silverware,
love weaving itself into a carpet
as wealth suddenly breeds and thrives,
an exile wrought in gold.
So lean into the past:
Somewhere is a house that is the navel of the world.
In winter the wolves come down out of the mountains,
and in spring the goats seek the higher pastures,
but the shoemaker sits at his bench forever
and the people walk back and forth upon the earth.
For this is merely the story of a passage
not from one land to another
nor from one world to the next,
but into the living structure of memory,
as that alone must suffice.
The books are submerged in a great repository
or consumed by braided flames;
the Throne of Justice is vacant
as it was always meant to be
--but the sun is warming the shoemaker’s shed
and his hammer, striking the worn sole,
seems to make the sparks fly up into the light.
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